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RAF | NO EVIDENCE KEIN BEWEIS
RAF | NO EVIDENCE KEIN BEWEIS
RAF | NO EVIDENCE KEIN BEWEIS
RAF | NO EVIDENCE KEIN BEWEIS
RAF | NO EVIDENCE KEIN BEWEIS
RAF | NO EVIDENCE KEIN BEWEIS
RAF | NO EVIDENCE KEIN BEWEIS
RAF | NO EVIDENCE KEIN BEWEIS
RAF | NO EVIDENCE KEIN BEWEIS
RAF | NO EVIDENCE KEIN BEWEIS

RAF | NO EVIDENCE KEIN BEWEIS

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RAF | NO EVIDENCE KEIN BEWEIS is a new perspective on a traumatic chapter in German history. Numerous accounts of the RAF and the German Autumn in 1977 have been chronicled over the past forty years, from journalistic, historical, literary, cinematic, and artistic perspectives. Arwed Messmer begins with the various photographs made by police photographers at the time—pictures of demonstrators, crime scene images, and mug shots. He poses the question of how this past search for criminological evidence can be employed artistically. His narrative strikes an arc from the beginnings of the movement to the multiple eruptions of violence in 1977, the abduction and murder of Hanns-Martin Schleyer, and the suicides of Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe in Stammheim Prison. Published by Hatja Cantz, 2017.

Softcover, 136pgs with a 48pg insert

9.37 x 13.38"

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